Global Humanities
Global Humanities
This track presents a multifaceted exploration of the humanities, focusing on the interconnectedness of societal structures, cultural phenomena, and political economies around the world. Students can choose from an array of courses in urban studies, delving into the design and development of cities; sociology and gender studies, examining the roles and relations of gender in society; and political science and economics, exploring the forces shaping global governance and economies. This track is designed for students with a keen interest in understanding the complexities of our globalized world through various lenses. Interactive classes, engaging discussions, and field trips in New York City offer students a rich learning experience, fostering a deep appreciation for the diversity and interconnectedness of human experiences. This program is an ideal choice for students eager to gain a holistic understanding of the humanities and their impact on shaping our world.
Program Structure
Classes take place on Tuesday, Wednesday and Thursday.
Office Hours, Junior Junction and Leadership in Action Workshops will be held on Monday and Friday.
Student life activities will be held in the evenings after class.
The Curriculum
Queer Studies
Instructor: Thomas March
U.S. high schools are only just beginning to incorporate the history of LGBTQ people in their History curricula, and many lag far behind. Without understanding the obstacles and discrimination that a group has faced, one cannot fully appreciate that their demand for equal treatment is in fact a struggle for civil rights. Covering queer U.S. History and Culture from the early 20th Century through the present, this course introduces students to how enforcement of and reaction against institutionalized discrimination have shaped the LGBTQ experience in this country. Students will learn not just about events but about often-overlooked people who shaped the course of this history—often heroically. Our study of historical sources will be supplemented by visits from influential and dynamic guest speakers in the arts and humanities. Students will have an opportunity to study our guests’ work in advance and discuss it with them when they visit. This course is not restricted to students who identify as LGBTQ—this history is important for everyone, so allies are welcome and encouraged!
Fashion & Dress in World Cultures
Instructor: Zingha Forma
This course explores the complex cultural significance of fashion and dress across global societies, with particular emphasis on non-Western cultures. Students will examine how clothing, textiles, and body adornments serve as powerful expressions of cultural identity, social hierarchies, and worldviews. The course investigates how people across different societies use dress to communicate religious beliefs, social status, cultural affiliation, and gender identity.
The course is organized geographically—with focused units on Asia, Africa, the Americas, and other regions—and spans from the early modern period to contemporary times. Students will analyze how indigenous dress practices evolve through cultural exchange, colonialism, globalization, and modernization. Through theoretical frameworks drawn from material culture studies, anthropology, history, and fashion theory, students will develop a deeper understanding of why people dress as they do and how clothing practices reflect broader social, economic, and cultural dynamics.
Leading by Example: Theories of Leadership from Antiquity to the Present
Instructor: Alejandro Cuadrado
How should those in positions of power use it? What is the role of society, mentorship, education, and individuals in preparing people for leadership roles? This course will take a historical view at the ways in which people in various cultures and societies across different time periods (Antiquity, the Italian Middle Ages, and the 20th-21st centuries) have sought to answer these questions. In approaching this topic, we will consider the role of exemplarity—the idea that someone else’s actions, behaviors, and political ideas might inform our own practice. To this end, we will read texts that use exemplarity to model political and non-political leadership. This class will consist of several readings, brief writing assignments, and a final in-class symposium in which students will present the results of a research project.
Sex and Gender Across Long Time
Instructor: Ross Hamilton
The idea of gender is a relatively recent formulation, often complicated by the ferocity distinction between the sexes found across history. This course (divided into two parts) uses art objects, literary texts, philosophy, psychology and finally film and digital media to interrogate the ideas of sex and gender, to explore the violent ways in which female sexuality has been denied or constrained, that same sex desire was erased or pathologized, and how the transgender experience, even as it works to deny sexual difference, complicates the relations between both sex and gender.
Changes, Spaces, and Mobilities: Women in Urban New York
Instructor: Kristina Chesaniuk
The turn-of-the-century United States was a nation on the cusp of a number of momentous social, cultural, and political movements. One of the biggest changes was in the status and role of women. From the emergence of the New Woman in the last decade of the 19th century, to the suffragette in the 1910s and the flapper in the 1920s, the roles and positions of women were expanding and evolving in unprecedented ways. Coupled with the growth and expansion of cities, women’s mobility and the spaces they occupied changed dramatically during this time period. In this course, we will examine texts that depict the situation of women and their mobility in various social and cultural contexts in the shifting urban landscape of early twentieth-century New York City. What spaces were women allowed/expected to occupy? What spaces were considered taboo or off limits? What were the effects and consequences of the spaces that women occupied? How did women’s mobility differ from men's? How do race and class impact mobility and space? What factors influenced women’s mobility and how did these factors change/develop over time? Course materials will likely include work by Nella Larsen, Djuna Barnes, Sui Sin Far, Anzia Yezierska, Edith Wharton, and Faith Baldwin, as well as the film Skyscraper Souls.
Lean in or Dig Deep
Instructor: Michelle Smith
We examine the theory and practice of two “models” of feminist leadership: liberal-individualist and radical-collective. Advocates of both models seek women’s empowerment. However, they disagree over the means and ends of women’s activism. Broadly, liberal feminists seek equal power in political institutions and corporations as well as equal access to the means for social and economic advance. Liberal feminists may pursue “reproductive rights” and consider gender-equality the mark of feminist success. Social justice feminists seek nothing less than the end of sexism and all forms of subjugation (racial, class, sexual orientation ETC.) which sustain existing anti -egalitarian, sexist, racist and hetero-normative structures. Social justice feminists may pursue “reproductive justice” and consider the transformation of existing gender, social and economic relations success. Culture, language, and representation are important venues for all sorts of feminist action and theorizing. But again, disagreement is more common than not. In this course, we ask more questions than we answer. What sorts of feminist commitments do the #METOO movements manifest? What might a truly intersectional feminism achieve? Should feminism necessarily be sex-positive? Can women seek BOTH freedom from subjugation AND inclusion in the existing socio-political order? (How) can feminists who disagree nevertheless ally with each other in pursuit of common ideals and objectives? Do feminists seek gender justice or freedom? And post-Dobbs, how much can any of these questions matter when women’s bodily autonomy, the cornerstone of feminist demands, is once more under threat? Assignments consist of multiple drafts of a <7-page final paper, a group “zine” project, daily journaling in response to readings, and participation in facilitated classroom discussion.
The Instructors
Alejandro Cuadrado
Leading by Example: Theories of Leadership from Antiquity to the Present
Alejandro Cuadrado is on the faculty of the Romance Languages and Literatures Department at Bowdoin College. He is a literary critic and historian of the Italian Middle Ages, with a focus on Dante and Boccaccio. He holds a PhD from Columbia University's Italian Department and Institute for Comparative Literature & Society, as well as an undergraduate degree from Princeton University in French & Italian. He has taught courses at Columbia, Yale, and Bowdoin on topics ranging from Italian language and culture to the western literary tradition.
Michelle Smith
Lean In or Dig Deep
Thomas March
Queer Studies
An essayist, performer, and poet, Thomas March is the author of Aftermath (2018), which Joan Larkin selected for The Word Works Hilary Tham Capital Collection. OUT Magazine praised its “diamond-sharp lyricism” and hailed it as “a stimulating, if sober, tonic for our times.” His work has appeared in The Account, The Adroit Journal, The Believer, Bellevue Literary Review, Glass: A Journal of Poetry, The Good Men Project, The Huffington Post, New Letters, OUT, Pleiades, RHINO, and Verse Daily, among others. Since 2018, he has been the host and curator of Poetry/Cabaret, a bi-monthly “variety salon” performance series. Nominated for four Broadway World Cabaret Awards (including “Best Variety Show or Recurring Series” and “Best Host or Emcee”), the show brings together the city’s top poets, comedians, and cabaret performers to share their responses to a common theme. Broadway World has called Poetry/Cabaret “a daring, edgy, and divinely human way of looking at art and artists.” With painter Valerie Mendelson, he is the co-creator of A Good Mixer, a character-based dramatic poetry and visual art hybrid project based on an obscure 1933 bartender’s guide of the same name. He has recently become a Contributing Editor to GRAND, a literary journal launched in 2021 and founded by Aaron Hicklin, Editorial Director of Document and proprietor of One Grand Books. A past recipient of the Norma Millay Ellis Fellowship in Poetry, from the Millay Colony for the Arts, he has also received an Artist/Writer grant from The Vermont Studio Center.
Ross Hamilton
Sex and Gender Across Long Time
Ross Hamilton specializes in metahistorical patterns from the Reformation to Romanticism, as well as the shift from natural philosophy to early modern science. He is also interested in the Annales historians and their influence. He was a prize teaching fellow at Yale, and held a post-doctorate fellowship at Johns Hopkins University.
His first book, Accident: A Literary and Philosophical History (University of Chicago Press, 2008), traces the transformations and mutations of Aristotle's notion of the accidental or inessential from Sophocles to late 20th century film. It won the Harry Levin Prize from the ACLA for best work of literary history in 2007-8. A second book, Falling: Literature, Science and Social Change, explores literary analogues to the paradigm shift from natural philosophy to early modern science described by Thomas Kuhn, among others.
In addition to editing Tom Jones, he has written articles on Wordsworth, Erasmus Darwin, Jean-Jacques Rousseau and the eighteenth century culture of gambling, theater and the rise of the novel, and the paintings of Pieter Bruegel the Elder.
Zingha Forma
Fashion & Dress in World Cultures
Zingha Foma is a sixth-year Ph.D. candidate in History at New York University, specializing in African history. Her research examines fashion and textile trade on the Gold Coast during the 15th-17th centuries, investigating how commercial relationships shaped local industries, wealth distribution, and fashion practices in West Africa. Her work explores the complex dynamics between European trade networks and indigenous textile traditions.
Beyond her academic work, Foma is an accomplished fashion designer and textile maker who creates contemporary pieces rooted in African cultural heritage. Her practice as both a scholar and artist provides unique insights into the historical and modern dimensions of African textile traditions. She brings both theoretical knowledge and practical expertise in traditional textile-making techniques to her teaching.
Kristina Chesaniuk
Changes, Spaces and Mobilities
Kristina Chesaniuk received her Ph.D. in American Literature from Auburn University in 2021. Her research focuses on space and mobility in American women's writing, the urban novel, and feminist geography.
Bridging Curriculum and Community
We believe student life does not start and end in the classroom. Each night after class, students can participate in activities led by our residential student staff.
Community Office Hours
Each Monday, students are invited to meet with any member of our Pre-College Programs team. Office hours emphasize PCP’s open door office policy and gives students a space to meet with their instructor, Peer Academic Leader, or a professional staff member.
Technology and Academic Support
Barnard PCP utilizes Canvas, an online platform, where students will find their syllabus, assignments, discussion boards, and access to message their instructor or peers outside of class.
Students will also receive a PCP email address to use for the duration of the program.
Our team will go over technology usage in the student manual and during Orientation.